Gymnasts, trampolinists, and divers call it the twisties, and it’s no joke.
With the high-risk nature of Biles’s routines on all four gymnastics events, disorientation is not only terrifying but potentially life threatening. Slow-motion video of her single vault in the team competition revealed that she had become disoriented in the air. Over the next few days, as Biles opted not to compete in the all-around finals and then three of the four event finals, it became clear that this was more than just a case of Olympic-sized nerves. She took herself out of the competition, citing the need to take care of her mental health. Although Biles landed the double Yurchenko in pre-Olympic training and made it through the qualifying round-with a few uncharacteristic slips-something happened in her first vault of the team finals. As we now know, the anticipated narrative didn’t play out. I started writing this post before the Olympic gymnastics competition began in Tokyo. She already had no fewer than four gymnastics elements officially named after her-one on vault, one on balance beam, and two on floor exercise-and if she landed the outrageously dangerous Yurchenko double pike vault in Tokyo she’d have a fifth. She was approaching the status of American swimmer Michael Phelps, who holds a number of all-time records, including for Olympic gold medals (23), and is widely considered to be one of the greatest athletes of all time.īiles had cheekily adopted the acronym GOAT (Greatest Of All Time) to “hit back at the ‘haters’,” with a goat embroidered in crystals on her leotards and even her own goat emoji attached to her hashtag on Twitter. Even otherworldly.įive years later, coming into the 2020 Tokyo Olympic Games (taking place in 2021), Biles had some new descriptors: Most decorated gymnast in history. Powerful, unstoppable, untouchable, unbeatable, in a league of her own, fearless, gravity-defying, and so on. Since the sky’s the limit in terms of difficulty, scores are open-ended and there’s arguably no longer any such thing as perfect.įast-forward to the 2016 Olympic Games in Rio de Janeiro, when journalists were already running out of adjectives to describe the American phenom, Simone Biles. Scores are now determined by two separate panels of judges, one awarding points for difficulty and the other deducting marks for errors in execution.
But perfect has remained firmly attached to Comăneci, whose young age, prepubescent body, and clean, daring style of gymnastics also revolutionized the sport. A handful of other gymnasts would score perfect 10s, both in Montreal and in the years afterward. The electronic scoreboard designers had been told that a score of 10.00 was impossible and accordingly had provided only one digit to the left of the decimal when the historic moment came, what flashed on the screen was “1.00.” There was a long moment of hushed confusion, including for Comăneci herself-and then pandemonium.Īs Comăneci went on to rack up six more perfect scores in Montreal, as well as three gold medals, a silver, and a bronze, the word of the moment was, simply, perfect. Those of us who were involved in the sport at the time knew that it was almost inevitable, since the judges had awarded scores of 9.9 to other gymnasts who came nowhere close to Comăneci’s form and amplitude. In July 1976, at the Montreal Olympics, 14-year-old Romanian sprite Nadia Comăneci scored the first perfect 10 in gymnastics history. Well, to be honest, having left the sport completely when I retired in 1978 and paid it little or no attention for decades, I’m fascinated by the language attached to two gymnasts in particular, both of whom captured the world’s attention and changed the sport forever. As a writer and editor-and a former gymnast who competed internationally in the 1970s-I’m fascinated by the language that is used to describe what gymnasts do.
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